As of late, it seems every person walking the streets playing tunes on their headphones, what music? We do not know. We assume we realize. Would the punk rocker at the rear of that coach secretly jamming to Britney Spears? Or is a tracksuit-bottomed, highlight-headed girl watching for her friends, in reality moshing out with Black Flag? The pinstripe power suit in the train could possibly be an enormous Public Enemy supporter or the local ASBO might be a jazz fan with a fondness for Coltrane’s sax playing.
Those that do not dress in any music-themed gear style can remain securely anonymous to the world at large as music consumers. Or can they? Below are two brand names and what they say about you:
Skullcandy are a new-ish trade name (founded 2003) and designed straight at the postpunk/goth/emo/whatever crowd. The evidence is in the name and the kid-friendly Stencilled graphitti skull emblem. Manufactured to go along with bullet belts, Atticus shirts and thin fit jeans, (the final vestiges of legitimate subculture now comfortably detached and changed by mere consumption of icon and merchandise in 1. Punk’s first representation, i.e, the flaunting of poverty may be overtaken by a generation primed to consume ready-ripped jeans and spraypaint-effect t shirts, I, uh, mean whatever, man). Skullcandy headphones presented in a spread of brash colours, also as a stark black and white for maximum application. Given the gain in worth, it seems extremely doubtful a customer would purchase these earphones unless it is to make a press release about the music itself. This person (even though they’re an 80 year old woman) is much more likely to be paying attention to My Chemical Romance than they may be Mozart.
Sennheiser headsets, distinctive by their less important, specialized design tend to be more the realm of that audiophile, the music nut and the gadget freak. This one, though they could be attired in similar method to the Skullcandy kid, is much more probable to be playing Charles Mingus, a vintage Delta Blues or folk piece, appreciating it the way one may a fine wine, in addition to all slight cultural nuances therein. This person is serious about music, and his/her disdain for bands of the time may be equally significant. Imagine a lecture at any 2nd on the genius of Belgian techno or a quantity of ambiguous Japanese arse-band (NOTE: arse-music isn’t a real style...yet)
So, the peripherals we use in the 21st century say as much about us as our disc collections might. Even when we do not want them to? That surely seems to be possible, anyway. Next: How come we iPod users so bloody smug?
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