These days, it appears everyone strolling on the streets listening to tunes on their earphones, what sound? We do not know. We assume we know. Is the punk rocker at the rear of that bus secretly rocking to Britney Spears? Or is a tracksuit-bottomed, highlight-headed lass waiting for her friends, in reality moshing out with Black Flag? The pinstripe power suit in the coach could possibly be a huge Public Enemy fanatic or the local ASBO might be a jazz fan that has a soft spot for Coltrane’s sax playing.
People who do not dress in any music-themed garments design can remain securely anonymous to the world at large as music patrons. Or can they? Listed here are two brands and what they say about you:
Skullcandy are an innovative-ish trade name (founded 2003) and intended directly on the postpunk/goth/emo/whatever crowd. The clue is in the name along with the kid-friendly Stencilled graphitti skull logo. Manufactured to accompany bullet belts, Atticus shirts and skinny fit jeans, (the final remnants of authentic subculture now comfortably detached and replaced by mere consumption of image and merchandise in 1. Punk’s early image, i.e, the flaunting of poverty has been overtaken by a age bracket prepared to consume ready-ripped jeans and spraypaint-effect t shirts, I, uh, mean whatever, guy). Skullcandy headphones come in a variety of brash colours, as well as a stark black and white for optimum demand. Given the gain in cost, this indicates exceedingly doubtful that a consumer would buy these headsets unless it is to create an announcement about the music itself. This being (even though these are an 80 year old lady) is far more likely to be listening to My Chemical Romance than they may be Mozart.
Sennheiser headsets, distinctive by their less important, specialized design tend to be more the realm of the audiophile, the music nut and the gadget freak. This person, though they may be attired in alike method to the Skullcandy child, is far more probable to be taking note of Charles Mingus, a vintage Delta Blues or folk piece, appreciating it just how one may a exceptional wine, along with all slight cultural nuances therein. This individual is serious about songs, and his/her derision for bands of the time might be equally important. Expect a lecture at any second on the genius of Belgian techno or a number of ambiguous Japanese arse-band (NOTE: arse-music isn’t an actual style...yet)
So, the peripherals we use in the 21st century say as much about us as our EP collections might. Even when we do not want them to? That surely seems being the case, anyhow. Next: Why are we iPod users so bloody smug?
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